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Furniture

45 ITEMS

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A fine associated pair of ormolu mounted faceted and cut glass column oil lamps, on plinth base; now wired. Probably Osler.

A pair of Chinese export famille rose enamelled baluster jars with reserves of birds and flowers on an iron red lattice ground; now mounted as lamps.

A Chinese export famille rose enamelled bottle vase decorated with birds and flowers beneath a yellow ground vinework neck; now mounted as a lamp.

A pair of French silvered bronze tulip-form lamps by Albert Cheuret, the shades of alabaster, descending by way of stems to a base of interlaced leaves. One circa 1920, the other a later casting.

A pair of good French Paris porcelain baluster vases mounted as lamps, with reserves of floral bouquets to a gilt decorated pale green ground.

Pair of French silver-plated bronze neo-classical 5-light column-form candelabra with tripod base, now mounted as lamps.

A pair of Chinese turquoise ground cloisonne hexagonal vases, now mounted as lamps.

A pair of Regency verdigris-decorated figural lamps by Shout, each depicting a vestal virgin carrying a colza oil lamp with a circular reservoir and later glass shade, on rectangular plinths. Now wired. Signed 'SHOUT/HOLBORN'. The fashion for lighting rooms with figurative lamps in plaster, bronzed in the Roman manner, proliferated from the end of the 18th century. Most notable among the firms producing such figures were Robert Shout, Humphrey Hopper, Francis Hardenberg and James Deville. The signature on these pieces relates to Garrard's Act of 1798, which was passed to protect individual makers and dictated that all subsequent works must be signed and dated.

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